Monday, June 26, 2006

Arlington Class - 6/24/2006

It was a pretty nice day; kinda cloudy and not too hot. There were only five of us making it the smallest class of Lauren's that I've attended. The majority were newbies too. We covered a lot of stuff and I'll try to remember it all.

As usual we started with ukemi. One thing we did differently was forced ourselves to do zempo kaiten when our leading foot was not pointing in the direction we were going. It was basically sokuho kaiten from shizen no kamae.

Next we did three basic tehodoki moves from a same side wrist grab. The focus being just getting the hand free and using taijutsu.

  1. Move to the outside. Later we continued this to apply an armbar and throw. I don't know the name of that technique.

  2. Rotate your hand to gain position for something like ura gyaku, etc.

  3. Lower your body and position your hand parallel to uke's forearm and raise up as you lock the elbow and then do something like ganseki nage.


We also did some balance breaking exercises. The only one I can remember is taking the shoulder. I don't remember what the setup was.



  1. Uke: Tsuki to face.
    Tori: Uke nagashi to the inside, shift in and from hicho attack both legs. It seemed to work best if you mirrored the position of the uke's feet. That way when you move into hicho you'll be in the center of their open legs.


  2. Uke: Double handed lapel grab.
    Tori: Cover with both hands then replace your hands with your elbows. Use the elbows for control. Lower your body, use taijutsu, and strike with the free hands.


  3. Uke: Single hand lapel grab and tsuki.
    Tori: Shizen no kamae. Cover with the same side hand. When the punch comes receive it with your other hand. Guide it to the uke's other hand and capture both hands. Use your elbow to control and strike with your other free hand.


There are probably a couple of other things I'm forgetting and if they come to me I'll edit this. Good times as usual. Gambatte!

Friday, June 23, 2006

Round Hill Class - 6/22/2006

Another new student introduced to the art and Brian's class. His class is starting to fill out nicely. Too bad when fall arrives all the newbies will be gone. We started with zempo kaiten from shizen no kamae. Some of us also did it in the middle of sanpo (natural walking). Sokuho kaiten wrapped up the ukemi. We then did ka/hi no kata and fu no kata of the sanshin no kata. Next we worked on two of the kihon happo: omote gyaku and urate gyaku. We also had hon gyaku as an option when doing urate gyaku. Mixed throughout were little bits of ashi sabaki (footwork control) and sokuho ukemi to help apply and receive the gyakus. Good times were had by all. Gambatte!

Tuesday, June 20, 2006

Columbia Class - 6/19/2006

Last night was a special treat. We attended Jeff's class in Columbia, MD. I trained with Jeff for a little while back around September but stopped because it's so far away and I was new to the area and still feeling it out. Since Tim showed up I've been showing him around and last night was Jeff's class. We had a great time and will probably attend his class regularly. We covered the following basic material:

  1. Zempo kaiten.

  2. Tachi nagare.

  3. Zempo kaiten into tachi nagare.

  4. Uke nagashi omo and ura.

  5. From a lapel grab moving back into ichimonji, shift forward and move into the other side ichimonji while applying urate gyaku and attacking the nearest leg with the knee. Keep your elbows in line as cover. When applying urate gyaku lower your body and keep your free hand resting on uke's elbow.

  6. From a lapel grab moving back into ichimonji, shifting forward and moving into the other side ichimonji while applying urate gyaku and attacking the nearest leg with the knee. Keep your elbows in line as cover. Bring your free hand underneath uke's arm to apply hon gyaku.

  7. Same as the previous two except at the end move into hicho no kamae to swept the leg. You must have the uke's balance right for the hicho to swept the leg. If you don't from hicho kick the uke's face.


  8. Uke: Seiza no kamae. Lapel grab.
    Tori: Fudoza no kamae. Immediately rise up and kick uke's face. With the opposite hand you can swat the lapel grab out of the way by bringing it up like ichimonji.



Good times!

Monday, June 12, 2006

Arlington Class - 6/10/2006

I actually made it to a Saturday class! Woohoo! Lauren and Roger recently arrived from Japan so I knew we would be doing something new. It was nice training with them again and it was nice training with Stu 'cause he's been MIA for a while. Things to keep in mind: move your head and spine together; move your feet first, then spine, then hands; your weight shifts from toe to heel on each foot, taking balance is shifting weight onto toes or heels of both feet.

The ukemi was different but the same. We did three different rolls, two forward and one backward.


  1. From shizen slide one foot back at a 45 degree angle. Shift your weight and turn around. This is similar to one of the regular nagare rolls we do from ichimonji. As you lower your body touch the ground with your lead hand. With your other hand touch the ground behind your first hand so your wrists are crossed. Touch your knee then roll.


  2. From shizen begin a regular back roll. Rotate your torso to the side with the extended leg and place both hands down on the ground. Swing your forward arm out in a big circle to propel the roll. The other hand should stay close to your head.


  3. From shizen with a hanbo step forward like a regular forward roll. Keep the bo parallel to your body. Take the forward hand and move it back towards your rear foot. The bo should be perpendicular to your body now. Roll forward.



A variety of techniques and principles were covered from the various Shihan.


  1. Uke: Shizen.
    Tori: Walk up and omote shuto one side of the neck or arm, step over and omote shuto the other side, then leap back.


  2. Uke: Shizen.
    Tori: Walk up and grab the clothing on both sides of the ribs. Apply boshiken with both hands to the ribs as you drive them down.


  3. Uke: Shizen.
    Tori: Walk up and strike with shuto/fudo ken and shikan ken at the same time to the neck/face while standing on uke's foot. Switch your feet and continue to stand on uke's foot and take him to the ground.


  4. Uke: Double lapel grab.
    Tori: Double lapel grab and head butt to eye. Drop to the ground and throw them over. I forget the name of this throw. Follow up with a choke.


  5. Uke: Shizen.
    Tori: Shizen. Slide one foot back and raise the same side hand at your hip. Lunge punch with the other hand to uke's face. The hand movement is a feint for the punch. Keep the spine straight and don't look at the uke.


  6. Uke: Applies previous movement
    Tori: Shizen. Slide one foot back and raise arms in gyokko ryu ichimonji. When the punch comes do sui no kata. The difference is when you move in for the omote shuto cross step into the uke. Rotate your spin away from the uke winding up for the omote shuto. Shuto should come from your forehead.



There was more that I'm having trouble remembering at the moment. I'll update this when I remember what we did.

Gabatte.

Foot work, spine work, hand work.

Friday, June 09, 2006

Round Hill Class - 6/8/2006

I made a surprise appearance at Brian's class and I brought newbies along. Seven is the largest I've seen that class get. In attendance were Brian, Brian, TJ, me, Tim, Banu, and Allison. Tim and Banu plan on attending regularly. We started with basic ukemi: zempo, koho, sokuho, and oten. Next we did three of the sanshin no kata: chi, sui, and fu. Brian then had me demostrate something, anything. I chose one of the simplest things we did on Tuesday: technique #2. Then we moved into something similar. From a lapel grab lightly cover move and back slightly into a very high level migi ichimonji and sokuyaku zempo geri to the nearest leg. The knee would be the most effective target but depending on the uke you may want to attack above the knee or the hip. The head then should be readily available for pummeling. We worked from this setup the whole night adding the usage of a tessen and a knife. We also added an uke nagashi which changed the foot work alittle. With the uke nagashi you moved into hidari ichimonji and you could do a variety of geri attacks. It was good times all around. Gambatte.

Wednesday, June 07, 2006

Springfield Class - 6/6/2006

This was Tim's first class and we were late so no ukemi for us. In attendance were Tim, Jong, Brian, and myself.


  1. Uke: Punch to face.
    Tori: Receive to the inside, omote shuto to neck, kick to the stomach, apply o-gyaku. With o-gyaku its important to swing the arm like a bo.



  2. Uke: Lapel grab and punch to face.
    Tori: Slightly turn away from the uke as they grab, put your arm over the grabbing hand trapping it and bending the arm at the elbow as you lower your body. Attack the head from here.



  3. Uke: Lapel grab and punch to face.
    Tori: Cover with the opposite side hand trapping it against the body. Rotate to the outside as you bring your forearm into their trapped arm and lower your body. You can drive their elbow into the ground and/or apply a pseudo mushadori. Urate gyakyu should be had from here.



  4. Uke: Double lapel grab.
    Tori: Gyokko ryu kata. Strike both hands to loosen grip as you drop back. Strike both wrists to open the arms and apply sokuyaku below the sternum. Uke comes back with a punch. Uke nagashi to the inside, shift over and omote shuto to neck, sokugyaku to the same spot.



  5. Uke: Lapel grab and punch to face.
    Tori: With the same side hand as the grab raise your hand to the inside of both attacks. Guide the punch with your hand and body down and under the grabbing arm and back into uke's face. You must move your feet to get proper positioning.



  6. Uke: Double lapel grab.
    Tori: Use the arms to shift the uke's balance left and right as you move back. When the uke loses balance and regains it shift to the other direction.



  7. Uke: Double lapel grab and push or pull.
    Tori: Maintain your balance, keep your back straight and pull the uke's elbows in to your body. Take balance and attack head.



  8. Uke: Double lapel grab.
    Tori: Raise one hand to the inside of one of uke's wrists and use the other hand to grab the opposite side elbow. Pull it across and in front of your body, rotate to the outside and apply mushadori.



  9. Uke: Double lapel grab.
    Tori: Bring one arm across on top of uke's arms and bring one of uke's elbows closer to your body. Then bring your elbow/forearm up to uke's head and take the balance using a circular motion. Attack neck and body.



  10. Uke: Lapel grab and punch to face.
    Tori: Deflect punch on the outside with your elbow and apply arm bar with your arm or theirs.



  11. Uke: Double lapel grab.
    Tori: Strike both hands to loosen grip, strike both wrists to open uke up, take uke's balance by trapping one foot and taking uke's hands behind his back.



Good times.